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Excerpts from forthcoming book:
Fellini and the Revealing Art of Movie Acting, p. 3

Fellini had all the appearance and presence of a very simpatico man of the people. He was warmhearted and simple in his daily communications with others and cordial to the constant calls of his admirers. Under his casual and normalizing Romanesque presence Fellini manifested a world of profundity and understanding of the human condition and -- least known to most in spite of its appearing in brilliant flashes and in grotesque symbols in many of his films -- he had an astounding intellectual intuition of esoteric realities and a vast, refreshing spiritual vision.

His understanding of the magical power to be evoked in the synergy of a cast of actors supported by film technicians all collaborating in the art of making a movie was key to his free directing style and his teaching actors to think and become immersed in the reality of roles. He understood that it was energy and enthusiasm generated by sharing a collective creative process that made motion pictures the principal and most powerful art of the Modern Age.

The artist, whether a poet, singer, dancer, actor, musician, writer, or craftsman, invests first in himself/herself and follows his/her love for his/her chosen art. In many cases more than one art fills the life of the artist. Dedicated artists soon intuitively discover that as they perfect their art, after much work and even pain propelled by love of it, gradually and sometimes suddenly a luminous quality, an inner well being, enters their life and with it a profound understanding of life itself. This understanding becomes the very wine the artist produces and feels compelled to offer others so they may become "inebriated," even if for a moment only in a theater, while reading a book, by hearing a song, and share the artist's vision of life's potential for perfection.


Learning to act frees our power for self expression. By gradually learning to express feelings in the interpretation of a role, a power is developed inside of us that can unleash joyful enthusiasm not only for this great art but for the infinite dimensions of life itself.

Part of the actor's work is to train the will so that the personality can break out of all self imposed limitations born of fear and illusion about the human condition. Only in a fearless state do we become fully empowered to manifest what is best in ourselves. That is when we can fully share and enjoy life with others.


We hear often the question: "What's new?" and life responds, "I am always new! Haven't you noticed?"

Acting is the art of conscious renewal. Some of the greatest actors are known to have experienced the sudden "awareness of awareness, " what in the traditional Japanese "No" and "Kabuki" theatre is known as the "Zen of acting."

The profound transformation called "renewal" is best grasped by those who, facing the shock of imminent death, are suddenly reprieved and literally given a new lease on life. That is when human awareness fully awakes and experiences a rebirth and a full restoration of a sense of proportions: eyes see better, ears hear more sharply, and all sensations become deeply real as they were when we first entered life and had no questions yet.

We tend to forget the cyclic aspects of life, even though we are taught the lesson of cyclical repetition daily with the rise and setting of the sun and with each season, and by the four directions rotating around the axis of high and low.

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