MAMACOCA,
p. 6
The
meaning of the great petroglyph on the bluff of Pisco is now made
clear to Charles. So are the lines on the plain of Nazca, the power
lines of the world, the dragon paths of ancient China, the holy lines
of Stonehenge and Camelot. All over the world the Sun Kings came,
following the Power Lines of the World. This was the secret of ancient
space travel. They came through not just space and time but across
dimensions beyond the human mind, dimensions seen only when the mind
is silent - silent as the stones in Machu Picchu.
The
Mamacoca sits down and shows Charles how by making one's self empty
and by focusing one's being only on the power of the sun, one can
lift great stones with ease.
The
mind is capable of neutralizing the forces of gravity. By mastering
this power the ancients built the pyramid and the Gate of the Sun.
Together
in a strange silent ritual master and pupil lift a great stone in
the light of the setting sun.
With
the falling of night Charles is taught the gait of power - how to
run in the darkness and how to cancel darkness with the inner light
of emptiness.
Two
glowing shadows in the night.
At
dawn Lorenzo and Charles are near the eastern slopes where the border
of Peru touches between Bolivia and Brazil. From the heights of panorama
of the great coca plantation stretches before their eyes.
The
men continue their run through the rows of coca trees and beyond where
the jungle begins.
There,
at the edge of the jungle, several Indians who seem to have been waiting,
rise from their crouching positions and follow Lorenzo and Charles.
Here
and there more join. Soon a small group is cutting its way through
even denser vegetation by swinging machetes.
This
is the territory of the Chunchas, the "indios silvestros" who still
use the blow gun with poison darts and bow and arrows made from the
Chonta palm.
Charles
and the Mamacoca stop by the river to drink and get rid of the garrapatos
insects that have buried into their skin. The insects must be burned
out with a lit cigarette. It is painful, says the Mamacoca, but pain
is the lot of men in this land. Charles grimaces in the pain as he
burns out the garrapatos.
At
last they reach the Chuncha village, just a few huts around a clearing.
Behind one of the huts, under a rain roof, is the cocaine kitchen,
a large cauldron or "caldero" over a hot fire. A dozen mules are tied
nearby. Metal cans of ether under the roof, piled high. Old men, women
and children half naked sit seating in the sweltering jungle heat.
Charles
witnesses the preparation of cocaine. As the fire burns, the old Colono,
a mestizo and the hefe of the operation, directs helpers to shovel
more coca leaves into the boiling liquid. Charles looks around. More
Indians seem to have come from the forest and mountains. A shackled
bull is being steered in. There is going to be a feast.
The
coca leaves have now turned into a foamy paste. The Colono dips a
long bamboo stick into the cauldron to test the consistency. The pulp
is ready. He signals his helpers to pour in the ether, then spreads
a gauze tightly over the top of the cauldron. The ether evaporates,
the fire continues to burn, the gauze dries. A beautifully soft, snowy
powder materializes - pure cocaine.
This
is the new god, worth ten times the price of gold, says the Mamacoca.
Long ago the White Man came for Inca gold; now he has come for white
gold. How sad that the White Man is blind to the thousand other powers
contained in the sacred plant. But cocaine will serve our people well
to get back some of the wealth that was taken from us long ago by
the Spaniards. Look at how they melted down our symbols of knowledge
into crude coins of greed.
Charles
looks with greed at the many pounds of cocaine being scraped from
the filter and packed in plastic bags. A million dollars worth of
snow is in front of him.
More
wood is added to the fire, more leaves, more ether, more cocaine.
Drums are beating the song of the feast now in full swing. Women dancing
at furious speed. Cerrinque, sugar cane liquor, is being passed around.
Long haired, angular checkboned faces lit by the fire - eyes wild
with liquor - faraway cries of beast in the jungle.
There
is a sudden downpour of rain, but slaughtering of the bull goes on
in spite of the wetness and mud. The meat is cut ceremoniously into
pieces and carried, dripping with hot blood, on the men's naked backs.
The
rain stops.